Get ready to welcome back Caleb Klauder, Reeb Willms and Foghorn Stringband! They’ll be playing on the Village Green Sunday, July 16 starting at 6 p.m. as part of the FREE Summer Concert Series presented by Orcas Center, OrcaSong Farm, Country Corner, and The Outlook Inn.
The Foghorn Stringband is the present-day gold standard for real-deal hard-hitting genuine old-time American string band music, with eight albums, thousands of shows, over 15 years of touring under their belts, and an entirely new generation of roots musicians following their lead. American roots music is a diverse and never-ending well of inspiration, and Foghorn Stringband continually and obsessively draws from old-time, bluegrass, classic country, and Cajun music traditions in an ongoing quest to present a broad span of American historical music with unparalleled youthful energy, joy, and virtuosity.
Each member of Foghorn Stringband exemplifies the best of the roots music traditions from their respective native cultures. Caleb Klauder’s wistful, keening vocals and rapid-fire mandolin picking are as influenced by Southern roots music as much as they are by his upbringing in the sea islands of coastal Washington State. Reeb Willms hails from the wind-swept Eastern farmlands of Washington. Her musical family and rural upbringing are on display with every note she sings and every heart she breaks. Nadine Landry’s roots lie in the rural backroads of Acadian Québec, and her high lonesome vocals have delighted audiences the world over. Her earth-shaking bass playing is the rumbling backbone of the Foghorn sound. Minnesotan Stephen ‘Sammy’ Lind, simply put, is the old-time fiddler of his generation whose tone and voice are as old as the same hills that gave birth to this music. Together, these four have forged a sound like none other.
Opening for Foghorn Stringband is The Hot Tomatoes — one of the few points of light emerging from the dark days of quarantine. Long-time musical enemies forced to reconcile their differences through compromise, they blend early jazz with French valse musette and manouche-influenced minor melodies. They’re like regular tomatoes, only hotter!